On a general level, my attitude toward most of the streaming services’ catalogs can be described as such:
The big online streaming platforms (which for simplicity’s sake I’m counting as Netflix, Hulu, Amazon Prime, and YouTube) have done a disservice to the vast expanse of film history, paring down their movie offerings to either the exceptionally popular or titles that are cheap to purchase the streaming rights for (clearly things are different on the television side of the equation, but that’s not my lane). Hardcore cinephiles have had to turn elsewhere for their classic/indie/international kicks, and luckily we have been gifted the incomparable FilmStruck and the exceptional Fandor.
If you find yourself craving an excellent film, but don’t have the extra $10/month to shell out for these services, it’s easy to feel like you’re SOL with the major streaming services. But fear not! Here at NQN, we are launching our Streaming Recommendations series, where we recommend the great slices of film history that hide in plain sight on the big streaming platforms.
First, the 2001 Alfonso Cuarón film, Y Tu Mamá También.
Y Tu Mamá También is a genre-bending film. Google identifies it as a “Drama/Comedy-Drama”, so basically the ultimate search engine just spits out genre buzzwords when asked. Y Tu Mamá También has been identified as “coming of age”, as a “sex comedy”, and, if you ask me, a “politically driven coming of age sex dramedy”.
The film follows best friends Julio and Tenoch in the days immediately following their graduation from high school. Both their girlfriends are going abroad to Europe, so the boys are left to gallivant and embrace their hedonistic tendencies to their hearts’ content. They meet an older woman, Louisa, at a wedding, and, despite being married to Tenoch’s cousin, attempt to seduce her by inviting her on a trip to a far-off beach. The main section of the film deals with their road trip across Mexico, the people they encounter along the way, the conversations had while hotboxing the car, and the toxicity associated with Julio and Tenoch’s competition to sleep with Louisa.
I am loath to spoil any of the details of said trip, but suffice it to say that Y Tu Mamá También earns every label I ascribed it in my attempt to identify its genre. While the ostensible plot moves rather slowly, everything else moves at breakneck speed, bouncing from conversations on drugs to sex to the lives of working class Mexicans and all the way back in a span of a few minutes. Every time I’ve watched Y Tu Mamá También I’ve found something new, either a side-splitting joke or a poignant new socio-political message.
The politics of Y Tu Mamá También are difficult to describe, as most of it is either presented visually or inferred through plot details. If you aren’t up on Mexican history (I wasn’t when I first saw it), a lot of it can go over your head. There are two important things to know before watching. First is that one party held control of the government for 71 years (elections were not considered “free” by anyone outside Mexico up until the 90s) and Y Tu Mamá También takes place during the election that voted them out of power. Second is that NAFTA was enacted in 1994, and played a huge role in the stratification of wealth among rich and poor Mexicans. There were very few middle-class citizens (though, critically, Julio is one of them).
Director Alfonso Cuarón’s technical chops have never been questioned (he won an Academy Award off of them via Gravity), and Y Tu Mamá También is no exception. The film is a masterwork of neo-realism, able to simultaneously weave long takes and “slow” moments into a commercially appealing work. Cuarón doesn’t think we’re all impatient nitwits, and is willing to linger in scenes and shots in the service of both character development, and replicating Mexico as realistically as possible. The film also contains my favorite long-take ever, see if you can spot it.
Y Tu Mamá También is one of the funniest films ever made. It is one of the more sexually explicit films ever made. It is also one of the best examples of how to make an extremely potent political film that is also immensely entertaining. You can enjoy Y Tu Mamá También without looking for what it’s really about. But once you start reading between the lines, that’s where the best things are hidden.
Where to watch: Netflix
When to watch: A good weekend romp. Friday or Saturday evening.
Who to watch with: Some good friends, or a significant other. Do NOT watch with family.
What to look for:
- Look for details in the background. What’s hanging on the walls? Who’s in the background? What are they doing?
- If our non-diegetic narrator pops in, PAY ATTENTION.
- What does Tenoch’s father do? Why does it matter? Pay close attention whenever he’s brought up.
- What’s Julio’s last name? What does it reference?
- What’s the name of Julio and Tenoch’s group? What’s their “code” called?
- Who pays? Why?